Figure In Environment

Hokusai, The Drum Bridge at the Tenjin Shrine at Kameido in Edo, 1834, woodblock print with figures on a bridge in a layered landscape
Hokusai, The Suspension Bridge on the Border of Hida and Etchu Provinces, 1834, woodblock print with tiny figures dwarfed by dramatic natural setting
Hokusai, The Suspension Bridge on the Border of Hida and Etchū Provinces, 1834

The genre of figure in environment is vast — so expansive that choosing which works to include is itself a challenge. When I think about this subject I think about foreground, middleground, and background. I think about figures enmeshed in a space rather than tacked on like a sticker. I’ve included a range of work here from across cultures and centuries. Look closely at which pieces create a sense of shallow space and which ones open up into deep space. What devices are at work? Overlap? Atmospheric perspective? Scale shift? In some works the figure dominates the composition; in others the figure is so small you have to search for it. What does that shift in scale say about human beings in relationship to nature?

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